Roberto Matta
Abstraction
1959–60
1 / 1
Born in Chile but active in France, the United States, and later Italy, Roberto Matta was associated with the international Surrealist movement during the 1930s and 1940s. As an exile in the US during and after World War II, his semi-abstract paintings acted as a conduit for the emergence of Abstract Expressionism. In the early 1940s the artist became interested in creating a biomorphic form of Surrealism that would explore paradoxically both internal psychological formations and social and political conditions. Though painted nearly fifteen years
after the end of the war, Abstraction exhibits many concerns of that era, including the atrocities of war and genocide, the anxieties of the atomic age, and the alienation of humanity in a mechanized, technological world. With its combination of vaguely humanoid figures disturbingly synthesized from organic and mechanical forms, Abstraction posits the idea of violence as a perpetual condition. The spindly, elastic yellow figures appear to be engaged in acts of brutality on a gray, pulsating field and allude to futuristic mechanized weapons, though filtered through a mixture of blended and rubbed color passages suggesting a hazy revelation, memory, or dream. [Permanent collection label, 2023]
-
Artist
Roberto Matta
(French, b. Chile, 1911–2002)
- Title Abstraction
- Date 1959–60
- Medium Oil on canvas
-
Dimensions
unframed | 58 x 80 in.
- Credit line Gift of Mrs. Mark C. Steinberg, 1967
- Object number WU 4367
-
Technique
oil painting
-
Work type
painting
-
Theme
Abstraction
The Body in Pieces
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 02/16/2024 - 04/15/2024
From Picasso to Fontana: Collecting Modern and Postwar Art in the Eisendrath Years, 1960–1968
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 01/23/2015 - 04/19/2015
Gesture, Scrape, Combine, Calculate: Postwar Abstraction from the Permanent Collection
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 08/20/2010 - 09/20/2010
Cubist, Expressionist, and Surrealist Paintings and Sculptures
1967
Mrs. Mark C. Steinberg, St. Louis
Inscription Recto, lower right, in black paint:
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to Lambeaux Iron-Oniriques (Iron-Oneiric Scraps) page
Roberto Matta
Lambeaux Iron-Oniriques (Iron-Oneiric Scraps)
1942
go to Peinture 200 x 265 cm, 20 mai 1959 (Painting 200 x 265 cm, 20 May 1959) page
Pierre Soulages
Peinture 200 x 265 cm, 20 mai 1959 (Painting 200 x 265 cm, 20 May 1959)
May 20, 1959
go to Linear Construction in Space No.1 (Variation) page
Naum Gabo
Linear Construction in Space No.1 (Variation)
1942–43
go to Blanco y Grafismos (White with Graphism) page
Antoni Tàpies
Blanco y Grafismos (White with Graphism)
1957
go to A Place Called Dark Black (Bird and Lava) page
Torkwase Dyson
A Place Called Dark Black (Bird and Lava)
2020
go to When All the World Is a Hopeless Jumble page
Lavar Munroe
When All the World Is a Hopeless Jumble
2023
go to Landscape with Women Gathering Faggots page
William Henry Howe
Landscape with Women Gathering Faggots
1882
go to Portrait of Chancellor Throop page
Charles Franklin Galt
Portrait of Chancellor Throop
20th century
go to Flor línea blanca (White Line Flower) page
José María Sicilia
Flor línea blanca (White Line Flower)
1987
go to Portrait of Judge G. A. Finkelnburg page
Carl Gustave Waldeck
Portrait of Judge G. A. Finkelnburg
1907
go to Portrait of General Sir David Dundas page
