Glenn Ligon
Untitled, from the portfolio Runaways
1993
Glenn Ligon’s work is often autobiographical, exploring how his own identity as a black man intersects with and is shaped by the sociopolitical circumstances and events of American culture, past and present. His print portfolio Runaways mimics the rhetoric and typography of nineteenth-century advertisements for runaway slaves in Southern newspapers, inserting various contemporary descriptions of himself in place of the runaway. The descriptions were drawn from ten of his friends, each of whom was asked to provide a verbal account of Ligon as though reporting his disappearance to the police. The texts that emerged from this process combine the casual language of physical appearance with the blunt reality of slavery. [Permanent collection label, 2017]
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Artist
Glenn Ligon
(American, b. 1960)
- Title Untitled, from the portfolio Runaways
- Date 1993
- Medium Lithograph
- Edition description 30/45
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Dimensions
sheet | 16 x 12 in.
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Part of
Runaways
- Credit line University purchase, Nathan Cummings Fund and Art Acquisition Fund, 1996
- Object number WU 1996.01.04
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Technique
lithography
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Work type
print
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Theme
Slavery and Its Legacies
(Un)masking Health: Counter Perspectives
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 01/19/2022 - 07/25/2022
Truths and Reckonings: The Art of Transformative Racial Justice
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 02/07/2020 - 04/18/2020
2/28/1996
Schmidt Contemporary Art
Inscription LR: “Glenn Ligon ‘93”
Ran away, Glenn / Ligon. He’s a shortish broad-shouldered / black man, pretty dark-skinned, with / glasses. Kind of stocky, tends to look down / and turn in when he walks. Real short / hair, almost none. Clothes non-descript, / something button-down and plaid, maybe, / and shorts and sandals. Wide lower face / and narrow upper face. Nice teeth.
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