Edouard de Beaumont
Enlèvement d'une barricade, par les gardes mobiles. (Removal of a barricade, by the national guard.), from the series Souvenirs des Journees de Juin, 1848 (Souvenirs of June 1848), published in Le Charivari
1 July 1848
1 / 1
-
Artist
Edouard de Beaumont
(French, 1821–1888)
- Title Enlèvement d'une barricade, par les gardes mobiles. (Removal of a barricade, by the national guard.), from the series Souvenirs des Journees de Juin, 1848 (Souvenirs of June 1848), published in Le Charivari
- Date 1 July 1848
- Medium Lithograph
-
Dimensions
sheet | 13 5/8 x 8 3/4 in.
- Credit line Gift of Eric G. Carlson in honor of Professor Elizabeth C. Childs, 2000
- Object number WU 2000.0100
-
Technique
lithography
-
Work type
print
caricature
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to A Quatre heures du matin. (At Four in the Morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
A Quatre heures du matin. (At Four in the Morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Retour de la foire de St. Cloud, sur l'air du Larifla (Returning from the St. Cloud fair, playing the tune Lairfla), from the series A La Campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
Retour de la foire de St. Cloud, sur l'air du Larifla (Returning from the St. Cloud fair, playing the tune Lairfla), from the series A La Campagne (In the Countryside), published in Le Charivari
1843–66
go to — Mossieure le maire ayant défendu qu'on ne se baigne en cet endroit (—The Mayor having forbidden swimming at this location), from the series A La Campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
— Mossieure le maire ayant défendu qu'on ne se baigne en cet endroit (—The Mayor having forbidden swimming at this location), from the series A La Campagne (In the Countryside), published in Le Charivari
30 August 1850
go to —Tiens, c’est un artiste!.....il dort. (—Look, it’s an artist!...he is sleeping.), from the series A La Campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
—Tiens, c’est un artiste!.....il dort. (—Look, it’s an artist!...he is sleeping.), from the series A La Campagne (In the Countryside), published in Le Charivari
10 May 1850
go to C'est pourtant vrai… c'est bien mon portrait que vous avez fait là en deux minutes… (It’s true though...it’s really my portrait that you did here in two minutes...), from the series Fariboles (Nonsense), published in Le Charivari page
Edouard de Beaumont
C'est pourtant vrai… c'est bien mon portrait que vous avez fait là en deux minutes… (It’s true though...it’s really my portrait that you did here in two minutes...), from the series Fariboles (Nonsense), published in Le Charivari
14 October 1848
go to Le violon de l’opera: — Vue prise a quatre heures du matin. (The concertmaster of the opera: — Scene at four o’clock in the morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Le violon de l’opera: — Vue prise a quatre heures du matin. (The concertmaster of the opera: — Scene at four o’clock in the morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Causus belli (Cause for War), from the series L’Opéra au XIXéme siècle (The Opera in the 19th Century), published in Le Charivari page
Edouard de Beaumont
Causus belli (Cause for War), from the series L’Opéra au XIXéme siècle (The Opera in the 19th Century), published in Le Charivari
n.d.
go to Dire que nous ne recevons que vingt cinq sous par soirée pour tenir notre emploi. (To think that we receive only twenty-five sous per night for our job….), from the series L'Opéra au XIXme. Siècle (The Opera in the 19th Century), published in Le Charivari page
Edouard de Beaumont
Dire que nous ne recevons que vingt cinq sous par soirée pour tenir notre emploi. (To think that we receive only twenty-five sous per night for our job….), from the series L'Opéra au XIXme. Siècle (The Opera in the 19th Century), published in Le Charivari
23 January 1845
go to Un braconnier surpris au gîte. (A poacher surprised at home.), from the series A La Campagne (In the Countryside), published in Le Charivari page
Edouard de Beaumont
Un braconnier surpris au gîte. (A poacher surprised at home.), from the series A La Campagne (In the Countryside), published in Le Charivari
1843–66
go to À la Campagne. (In the countryside.), from the series Fariboles (Nonsense), published in Le Charivari page
Edouard de Beaumont
À la Campagne. (In the countryside.), from the series Fariboles (Nonsense), published in Le Charivari
16 April 1859
go to "Bonjour, madame, comment vous portez vous?.." – Bonjour, madame, comment vous portez vous?.. (– Greetings, madam, how are you?..), from the series Fariboles (Nonsense), published in Le Charivari page
Edouard de Beaumont
"Bonjour, madame, comment vous portez vous?.." – Bonjour, madame, comment vous portez vous?.. (– Greetings, madam, how are you?..), from the series Fariboles (Nonsense), published in Le Charivari
1843–66
go to Scène d'intérieur. (Domestic Scene.), from the series Fariboles (Nonsense), published in Le Charivari page
Edouard de Beaumont
Scène d'intérieur. (Domestic Scene.), from the series Fariboles (Nonsense), published in Le Charivari
27 December 1850
go to C'est son droit! (It’s his right!), from the series Fariboles (Nonsense) published in Le Charivari page
Edouard de Beaumont
C'est son droit! (It’s his right!), from the series Fariboles (Nonsense) published in Le Charivari
23 September 1848
go to — M'sieu, faudrait tâcher de n'pas rentrer comme ça tous les jours passé ménuit!.. (—Mister, you must try not to come back like that every day after midnight!..), from the series Fariboles (Nonsense) published in Le Charivari page
Edouard de Beaumont
— M'sieu, faudrait tâcher de n'pas rentrer comme ça tous les jours passé ménuit!.. (—Mister, you must try not to come back like that every day after midnight!..), from the series Fariboles (Nonsense) published in Le Charivari
1843–66
go to "C'est l'propriétaire qui nous donne congé" (— It is the owner that gives us notice to leave), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
"C'est l'propriétaire qui nous donne congé" (— It is the owner that gives us notice to leave), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
19 December 1849
go to Comment, tu as encore été au bal cette nuit!..... (— What, you went to the ball again last night!.....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
Comment, tu as encore été au bal cette nuit!..... (— What, you went to the ball again last night!.....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to A Trois heures du matin (At Three in the Morning), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
A Trois heures du matin (At Three in the Morning), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to M’sieur est fumiste?.. (Mister is a chimney sweep?..), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Edouard de Beaumont
M’sieur est fumiste?.. (Mister is a chimney sweep?..), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Bas-bleu, en train de composer un volume sur les devoirs (Blue-stocking, in the Process of Composing a Volume on the Duties of Motherhood), from the series Fariboles (Frivolities) page
Edouard de Beaumont
Bas-bleu, en train de composer un volume sur les devoirs (Blue-stocking, in the Process of Composing a Volume on the Duties of Motherhood), from the series Fariboles (Frivolities)
27 December 1848
go to — Ça….tu me feras croire que ça ouvre toutes les portes…..un rameau vert….(— This….You would have me believe that it opens all doors…an olive branch….), from the series L'Opéra au XIXème. Siècle (The Opera in the 19th Century), published in Le Charivari page
Edouard de Beaumont
— Ça….tu me feras croire que ça ouvre toutes les portes…..un rameau vert….(— This….You would have me believe that it opens all doors…an olive branch….), from the series L'Opéra au XIXème. Siècle (The Opera in the 19th Century), published in Le Charivari
1843–66
go to L’indispensable visite chez le tailleur du Palais-Royal page
Honoré Daumier
L’indispensable visite chez le tailleur du Palais-Royal
19th century
go to "Ce grand'là, je le connais, c'est le fils d'un quart d'agent de change..." ("I know he is the son of the fourth of a stock broker..."), from the series Menu Propos (Small Talk) page
Albert Robida
"Ce grand'là, je le connais, c'est le fils d'un quart d'agent de change..." ("I know he is the son of the fourth of a stock broker..."), from the series Menu Propos (Small Talk)
1880s
go to Quel Rêve! (What a Dream!), from La Caricature page
Charles Joseph Traviès
Quel Rêve! (What a Dream!), from La Caricature
1830–35
go to "Si je fais des conquêtes!" ("If I make conquests!"), from the series Bains de mer (Sea Bathing) page
Albert Robida
"Si je fais des conquêtes!" ("If I make conquests!"), from the series Bains de mer (Sea Bathing)
1886–91
go to Théatre royal des marionettés (Royal Puppet Theater), from La Caricature page
Charles Joseph Traviès de Villers
Théatre royal des marionettés (Royal Puppet Theater), from La Caricature
c. 1830–35
go to La tour de Babel politique (The Political Tower of Babel), from La Caricature page
Charles Joseph Traviès de Villers
La tour de Babel politique (The Political Tower of Babel), from La Caricature
15 March 1834
go to Marche. Marche toujours. (March. Always march.), published in Le Charivari page
Unknown (French, 19th century)
Marche. Marche toujours. (March. Always march.), published in Le Charivari
21 December 1834
go to Satanée porte comme elle résiste! (-Damned door! how it resists!), from the series Actualités (Current Events), published in Le Charivari page
Charles Vernier
Satanée porte comme elle résiste! (-Damned door! how it resists!), from the series Actualités (Current Events), published in Le Charivari
8 October 1849
go to Lieutenant, où avez-vous pris votre brosseur? (— Lieutenant, where did you find your private?), from the series Croquis Militaires (Military Sketches), published in Le Charivari page
Charles Vernier
Lieutenant, où avez-vous pris votre brosseur? (— Lieutenant, where did you find your private?), from the series Croquis Militaires (Military Sketches), published in Le Charivari
29 September 1848
go to "Eh! ben, qué-qu'-t'as?.…" ("Well, what's up with you?....,"), from the series Fariboles (Frivolities), published in Le Charivari page
Unknown (French, 19th century)
"Eh! ben, qué-qu'-t'as?.…" ("Well, what's up with you?....,"), from the series Fariboles (Frivolities), published in Le Charivari
n.d.
go to La grande Fany est de la partie? (Tall Fany is coming along?), from the series Le Chapitre des Illusions (The Chapter of Illusions), published in Le Charivari page
Fréderic Bouchot
La grande Fany est de la partie? (Tall Fany is coming along?), from the series Le Chapitre des Illusions (The Chapter of Illusions), published in Le Charivari
after 1839
go to La Provocation, No. 9 from the series Les malheurs d’un amant heureux (The Misfortunes of a Contented Lover), published in Le Charivari page
Fréderic Bouchot
La Provocation, No. 9 from the series Les malheurs d’un amant heureux (The Misfortunes of a Contented Lover), published in Le Charivari
27 December 1837
go to Poultier (Poultier), from the series Panthéon Charivarique (Grotesque Pantheon), published in Le Charivari page
Benjamin Roubaud
Poultier (Poultier), from the series Panthéon Charivarique (Grotesque Pantheon), published in Le Charivari
1 April 1842
go to La madeleine (Magdalene), from the series Panthéon charivarique (Grotesque Pantheon), published in Le Charivari page
Benjamin Roubaud
La madeleine (Magdalene), from the series Panthéon charivarique (Grotesque Pantheon), published in Le Charivari
August 19, 1839
go to Le bal Des Nègres. (The ball of the Negroes.), from the series Physionomies des Bals Publics (Physiognomies of Public Balls), published in Le Charivari page
Charles Vernier
Le bal Des Nègres. (The ball of the Negroes.), from the series Physionomies des Bals Publics (Physiognomies of Public Balls), published in Le Charivari
after 1841
go to Dieu de Dieu! (Good God!), from the series Tribulations de la Garde Nationale, No. 7 (Tribulations of the National Guard, No. 7), published in Le Charivari page
Fréderic Bouchot
Dieu de Dieu! (Good God!), from the series Tribulations de la Garde Nationale, No. 7 (Tribulations of the National Guard, No. 7), published in Le Charivari
13 August 1835
go to Promenade à Montmorency. (Stroll at Montmorency.), published in Le Charivari page
L. Boulanger
Promenade à Montmorency. (Stroll at Montmorency.), published in Le Charivari
25 August 1837
go to "Comme je suivrais cette femme là… si j'avais des bottes!" (How I would follow this woman here…if I had boots!), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
"Comme je suivrais cette femme là… si j'avais des bottes!" (How I would follow this woman here…if I had boots!), from the series Fariboles (Nonsense), published in Le Charivari
1853
go to "Voilà pourtant où l'a conduit son obstination (Here is where his stubbornness […]led him.), from the series Fariboles (Nonsense), published in Le Charivari page
Unknown (French, 19th century)
"Voilà pourtant où l'a conduit son obstination (Here is where his stubbornness […]led him.), from the series Fariboles (Nonsense), published in Le Charivari
n.d.
go to Untitled (Factory in a Landscape) page
Joseph Jones
Untitled (Factory in a Landscape)
20th century
go to Thin Lipped Armourer II, from the portfolio Sketches of Auden page
Henry Moore
Thin Lipped Armourer II, from the portfolio Sketches of Auden
1974
go to Lullaby Sketches, from the portfolio Sketches of Auden page
Henry Moore
Lullaby Sketches, from the portfolio Sketches of Auden
1974
go to Untitled (Wash Forms), from A Suite of Ten Lithographs page
