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Sam Fox School of Design & Visual Arts

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Werner Drewes

Re-awakening

1943–47

On View in Gertrude Bernoudy Gallery, Room 4

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Werner Drewes was trained at the Bauhaus, the influential German interdisciplinary design school, where he studied under Lyonel Feininger, Paul Klee, and Wassily Kandinsky, among others. He immigrated to New York in 1930, escaping Nazi political pressure and the subsequent closure of the Bauhaus in 1932. He also evaded the Nazis’ pillorying of modern art and persecution of artists. From the United States Drewes opposed fascist politics in Europe and defended free artistic expression. He taught at Washington University from 1946 to 1965 and befriended Max Beckmann, a fellow exile teaching at WashU, whose work is also on view in this gallery.

In Re-awakening abstract geometric forms intersect with biomorphic shapes that resemble both microscopic cells and landscape features, such as the sun, mountains, and running water. Drewes arranged individual elements into an interlocking configuration that accentuates color interactions and compositional balance—principles important in Bauhaus pedagogy. The bright hues that interrupt a somber, dark ground, together with the title, Re-awakening, suggest Drewes’s hope for rejuvenation following World War II. [Permanent Collection Label, 2022]

  • Artist Werner Drewes (American, b. Germany, 1899–1985)
  • Title Re-awakening
  • Date 1943–47
  • Medium Oil on canvas
  • Dimensions unframed | 48 x 38 1/4 in.
  • Credit line University purchase
  • Object number WU 3815
  • Currently on View Gertrude Bernoudy Gallery, Room 4

Artists in Exile: European Surrealists in the US during and after World War II
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 09/01/2023

Caught By Politics: Art of the 1930s and 1940s
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 01/19/2001 - 03/18/2001

Twentieth Century Art from the Washington University Collection
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 01/28/1994 - 03/27/1994

Centennial Faculty Show
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 11/11/1979 - 01/31/1980

Werner Drewes Retrospective Exhibition, 1935–1965
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 04/11/1965 - 04/29/1965

Opening Exhibition of Mark C. Steinberg Memorial Hall
Mildred Lane Kemper Art Museum, Washington University in St. Louis, 04/29/1960

Werner Drewes

Inscription Recto, lower left, in white paint:

Inscription Verso, upper left, in black paint

Inscription Verso, upper center on stretcher bar, in black marker:

Label Verso, lower center on frame, yellowed rectangular label, with printed text in black and inscriptions in black ink:

This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.

Related Content

go to Exile, Migration, and Displacement page
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Theme

Exile, Migration, and Displacement

go to Caught By Politics: Art of the 1930s and 1940s page
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Exhibitions

Caught By Politics: Art of the 1930s and 1940s

January 19, 2001–March 18, 2001
go to Centennial Faculty Show page
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Exhibitions

Centennial Faculty Show

November 11, 1979–January 31, 1980
go to Werner Drewes Retrospective Exhibition, 1935–1965 page
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Exhibitions

Werner Drewes Retrospective Exhibition, 1935–1965

April 11, 1965–April 29, 1965
go to Twentieth Century Art from the Washington University Collection page
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Exhibitions

Twentieth Century Art from the Washington University Collection

January 28, 1994–March 27, 1994
go to Opening Exhibition of Mark C. Steinberg Memorial Hall page
no image
Exhibitions

Opening Exhibition of Mark C. Steinberg Memorial Hall

April 29, 1960
go to Artists in Exile: European Surrealists in the US during and after World War II page
2015_0002a-ppp.tif
Exhibitions

Artists in Exile: European Surrealists in the US during and after World War II

September 01, 2023

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