Spectacle and Leisure in Paris: Degas to Mucha
Garen Gallery
At the turn of the nineteenth century France prided itself as a global cultural leader. Republican politics promoted both a booming business climate and an empowering belief in the importance of the arts, and leading artists presented Paris as a unique site of urban modernity through their focus on its spectacles of entertainment and the allure of its particular forms of leisure.
Bringing together a broad selection of prints, posters, photographs, and film, this exhibition offers an overview of the thriving entertainment cultures of Paris in the last decades of the nineteenth century. The art of Pierre Bonnard, Edgar Degas, Édouard Manet, Henri de Toulouse-Lautrec, Pablo Picasso, and others addresses the pulsating life of the boulevards, the speed of the racetrack, and the performance worlds of the café-concert, ballet, opera, and the theater, both classical and popular. These diverse themes inspired traditional as well as innovative mediums: fine art prints by Édouard Vuillard and Degas are rivaled, for example, by the rapid development of the popular commercial poster in the hands of Jules Chéret, Alphonse Mucha, and Toulouse-Lautrec, whose bold designs promoted the celebrity status of such figures as Jane Avril, Sarah Bernhardt, and Loïe Fuller. This exhibition thus also reveals the intersection of the visual arts with public life in Paris during this creative and vibrant time.
The exhibition is curated by Elizabeth C. Childs, Etta and Mark Steinberg Professor of Art History and chair of the Department of Art History & Archaeology in Arts & Sciences.
Support for the exhibition is provided by the William T. Kemper Foundation; the Department of Art History & Archaeology and a Classroom Innovation Grant in Arts & Sciences; the Hortense Lewin Art Fund; and members of the Mildred Lane Kemper Art Museum.
Selected works
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Jean Louis Forain
Les deux gommeux (The Two Rubber Men)
c. 1876
Henri de Toulouse-Lautrec
Divan Japonais, from the series Les Mâitres de l'Affiche
1893
Henri de Toulouse-Lautrec
Jane Avril au Jardin de Paris
1893
Henri de Toulouse-Lautrec
May Milton
1895
Henri de Toulouse-Lautrec
Le coiffeur, a poster for Le Théâtre Libre
1893
Edgar Degas
Sur la scène (On Stage III)
1877
Charles Émile Jacque
Paysage, Moulin (Butte Montmartre)
1848
Edouard de Beaumont
Comme quoi sur la butte Montmartre, on ne cultive rien, pas même la vertu. (It just goes to show that on Montmartre nothing is grown, not even virtue.), from the series A la campagne (In the Countryside), published in Le Charivari
26 October 1848
Edouard Manet
Lola de Valence
1862–63
Alphonse Mucha
La Samaritaine
1897Support
Support for the exhibition is provided by the William T. Kemper Foundation; the Department of Art History & Archaeology and a Classroom Innovation Grant in Arts & Sciences; the Hortense Lewin Art Fund; and members of the Mildred Lane Kemper Art Museum.