Edouard de Beaumont
"Comment, ma nièce, tu ne te rangeras donc pas" (— What, my niece, why won’t you straighten up), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
-
Artist
Edouard de Beaumont
(French, 1821–1888)
- Title "Comment, ma nièce, tu ne te rangeras donc pas" (— What, my niece, why won’t you straighten up), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
- Date 1843–66
- Medium Lithograph
-
Dimensions
sheet | 13 3/8 x 9 1/2 in.
- Credit line Gift of Eric G. Carlson in honor of Professor Elizabeth C. Childs, 2000
- Object number WU 2000.0057
-
Technique
lithography
-
Work type
print
caricature
This artwork record may be incomplete or need refinement. Our staff actively researches the collection and revises records when new information is available. If you have questions or comments about this record, please contact us.
Related Works
go to A Quatre heures du matin. (At Four in the Morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
A Quatre heures du matin. (At Four in the Morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Retour de la foire de St. Cloud, sur l'air du Larifla (Returning from the St. Cloud fair, playing the tune Lairfla), from the series A La Campagne (In the Countryside), published in Le Charivari page
Retour de la foire de St. Cloud, sur l'air du Larifla (Returning from the St. Cloud fair, playing the tune Lairfla), from the series A La Campagne (In the Countryside), published in Le Charivari
1843–66
go to — Mossieure le maire ayant défendu qu'on ne se baigne en cet endroit (—The Mayor having forbidden swimming at this location), from the series A La Campagne (In the Countryside), published in Le Charivari page
— Mossieure le maire ayant défendu qu'on ne se baigne en cet endroit (—The Mayor having forbidden swimming at this location), from the series A La Campagne (In the Countryside), published in Le Charivari
30 August 1850
go to —Tiens, c’est un artiste!.....il dort. (—Look, it’s an artist!...he is sleeping.), from the series A La Campagne (In the Countryside), published in Le Charivari page
—Tiens, c’est un artiste!.....il dort. (—Look, it’s an artist!...he is sleeping.), from the series A La Campagne (In the Countryside), published in Le Charivari
10 May 1850
go to C'est pourtant vrai… c'est bien mon portrait que vous avez fait là en deux minutes… (It’s true though...it’s really my portrait that you did here in two minutes...), from the series Fariboles (Nonsense), published in Le Charivari page
C'est pourtant vrai… c'est bien mon portrait que vous avez fait là en deux minutes… (It’s true though...it’s really my portrait that you did here in two minutes...), from the series Fariboles (Nonsense), published in Le Charivari
14 October 1848
go to Une Pastorale en 1865. (A Pastoral in 1865.), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Une Pastorale en 1865. (A Pastoral in 1865.), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
4 February 1865
go to — Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
— Comment, antropophage….., tu te présentes dans une société comme celle-ci?.... (— How, cannibal….., do you dare present yourself in a society like this?....), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Oh! ciel, quelles manières, pour une femme comme il faut!.. (Oh! heavens, what manners, for a woman with a sense of etiquette!.. ), from the series Au Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Enlèvement d'une barricade, par les gardes mobiles. (Removal of a barricade, by the national guard.), from the series Souvenirs des Journees de Juin, 1848 (Souvenirs of June 1848), published in Le Charivari page
Enlèvement d'une barricade, par les gardes mobiles. (Removal of a barricade, by the national guard.), from the series Souvenirs des Journees de Juin, 1848 (Souvenirs of June 1848), published in Le Charivari
1 July 1848
go to — Tiens, voilà Mr. Poitevin qui passe….. (— Look, Mr. Poitevin is flying…..), from the series A La Campagne (In the Countryside), published in Le Charivari page
— Tiens, voilà Mr. Poitevin qui passe….. (— Look, Mr. Poitevin is flying…..), from the series A La Campagne (In the Countryside), published in Le Charivari
18 September 1850
go to Un braconnier surpris au gîte. (A poacher surprised at home.), from the series A La Campagne (In the Countryside), published in Le Charivari page
Un braconnier surpris au gîte. (A poacher surprised at home.), from the series A La Campagne (In the Countryside), published in Le Charivari
4 October 1849
go to UNE ÉDUCATION DIFFICILE (A DIFFICULT EDUCATION), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari page
UNE ÉDUCATION DIFFICILE (A DIFFICULT EDUCATION), from the series Croquis du Jour (Sketch of the Day), published in Le Charivari
3 August 1849
go to Dis donc, Emilie……. pour une fois que j' suis enlevée….. j' nai pas d' chance!... (–Well, Emilie……. for once I am taken….. I really have no luck!...), from the series Fariboles (Nonsense), published in Le Charivari page
Dis donc, Emilie……. pour une fois que j' suis enlevée….. j' nai pas d' chance!... (–Well, Emilie……. for once I am taken….. I really have no luck!...), from the series Fariboles (Nonsense), published in Le Charivari
25 August 1848
go to – Est-ce que l'eau de la mer est salée comme ça toute l'année………. (– Is sea water salted like that all year long……….), from the series Fariboles (Nonsense), published in Le Charivari page
– Est-ce que l'eau de la mer est salée comme ça toute l'année………. (– Is sea water salted like that all year long……….), from the series Fariboles (Nonsense), published in Le Charivari
5 August 1848
go to Oh! monsieur,.. moi, intéressée avec vous!.... (Oh! sir,.. me, being interested in you!....), from the series Fariboles (Nonsense), published in Le Charivari page
Oh! monsieur,.. moi, intéressée avec vous!.... (Oh! sir,.. me, being interested in you!....), from the series Fariboles (Nonsense), published in Le Charivari
1843–66 (post 1854)
go to (Chantant.) – Toi - qui - lis - dans - mon - Â - ME!.... ([Singing] – You - who - reads - my - Soul!....), from the series Fariboles (Nonsense), published in Le Charivari page
(Chantant.) – Toi - qui - lis - dans - mon - Â - ME!.... ([Singing] – You - who - reads - my - Soul!....), from the series Fariboles (Nonsense), published in Le Charivari
12 February 1857 (?)
go to Première occupation d'un citoyen qui vient d'être n]ouvellement nommé représentant. (First task of a citizen who just was appointed representative.), from the series Fariboles (Nonsense), published in Le Charivari page
Première occupation d'un citoyen qui vient d'être n]ouvellement nommé représentant. (First task of a citizen who just was appointed representative.), from the series Fariboles (Nonsense), published in Le Charivari
6 November 1849
go to Le violon de l’opera: — Vue prise a quatre heures du matin. (The concertmaster of the opera: — Scene at four o’clock in the morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari page
Le violon de l’opera: — Vue prise a quatre heures du matin. (The concertmaster of the opera: — Scene at four o’clock in the morning.), from the series Al Bal Masqué (At the Masquerade Ball), published in Le Charivari
1843–66
go to Causus belli (Cause for War), from the series L’Opéra au XIXéme siècle (The Opera in the 19th Century), published in Le Charivari page
Causus belli (Cause for War), from the series L’Opéra au XIXéme siècle (The Opera in the 19th Century), published in Le Charivari
n.d.
go to Dire que nous ne recevons que vingt cinq sous par soirée pour tenir notre emploi. (To think that we receive only twenty-five sous per night for our job….), from the series L'Opéra au XIXme. Siècle (The Opera in the 19th Century), published in Le Charivari page
Dire que nous ne recevons que vingt cinq sous par soirée pour tenir notre emploi. (To think that we receive only twenty-five sous per night for our job….), from the series L'Opéra au XIXme. Siècle (The Opera in the 19th Century), published in Le Charivari
23 January 1845
go to L’indispensable visite chez le tailleur du Palais-Royal page
L’indispensable visite chez le tailleur du Palais-Royal
19th century
go to "Ce grand'là, je le connais, c'est le fils d'un quart d'agent de change..." ("I know he is the son of the fourth of a stock broker..."), from the series Menu Propos (Small Talk) page
"Ce grand'là, je le connais, c'est le fils d'un quart d'agent de change..." ("I know he is the son of the fourth of a stock broker..."), from the series Menu Propos (Small Talk)
1880s
go to Quel Rêve! (What a Dream!), from La Caricature page
Quel Rêve! (What a Dream!), from La Caricature
1830–35
go to "Si je fais des conquêtes!" ("If I make conquests!"), from the series Bains de mer (Sea Bathing) page
"Si je fais des conquêtes!" ("If I make conquests!"), from the series Bains de mer (Sea Bathing)
1886–91
go to Théatre royal des marionettés (Royal Puppet Theater), from La Caricature page
Théatre royal des marionettés (Royal Puppet Theater), from La Caricature
c. 1830–35
go to La tour de Babel politique (The Political Tower of Babel), from La Caricature page
La tour de Babel politique (The Political Tower of Babel), from La Caricature
15 March 1834
go to Marche. Marche toujours. (March. Always march.), published in Le Charivari page
Marche. Marche toujours. (March. Always march.), published in Le Charivari
21 December 1834
go to Satanée porte comme elle résiste! (-Damned door! how it resists!), from the series Actualités (Current Events), published in Le Charivari page
Satanée porte comme elle résiste! (-Damned door! how it resists!), from the series Actualités (Current Events), published in Le Charivari
8 October 1849
go to Lieutenant, où avez-vous pris votre brosseur? (— Lieutenant, where did you find your private?), from the series Croquis Militaires (Military Sketches), published in Le Charivari page
Lieutenant, où avez-vous pris votre brosseur? (— Lieutenant, where did you find your private?), from the series Croquis Militaires (Military Sketches), published in Le Charivari
29 September 1848
go to "Eh! ben, qué-qu'-t'as?.…" ("Well, what's up with you?....,"), from the series Fariboles (Frivolities), published in Le Charivari page
"Eh! ben, qué-qu'-t'as?.…" ("Well, what's up with you?....,"), from the series Fariboles (Frivolities), published in Le Charivari
n.d.
go to La grande Fany est de la partie? (Tall Fany is coming along?), from the series Le Chapitre des Illusions (The Chapter of Illusions), published in Le Charivari page
La grande Fany est de la partie? (Tall Fany is coming along?), from the series Le Chapitre des Illusions (The Chapter of Illusions), published in Le Charivari
after 1839
go to La Provocation, No. 9 from the series Les malheurs d’un amant heureux (The Misfortunes of a Contented Lover), published in Le Charivari page
La Provocation, No. 9 from the series Les malheurs d’un amant heureux (The Misfortunes of a Contented Lover), published in Le Charivari
27 December 1837
go to Poultier (Poultier), from the series Panthéon Charivarique (Grotesque Pantheon), published in Le Charivari page
Poultier (Poultier), from the series Panthéon Charivarique (Grotesque Pantheon), published in Le Charivari
1 April 1842
go to La madeleine (Magdalene), from the series Panthéon charivarique (Grotesque Pantheon), published in Le Charivari page
La madeleine (Magdalene), from the series Panthéon charivarique (Grotesque Pantheon), published in Le Charivari
August 19, 1839
go to Le bal Des Nègres. (The ball of the Negroes.), from the series Physionomies des Bals Publics (Physiognomies of Public Balls), published in Le Charivari page
Le bal Des Nègres. (The ball of the Negroes.), from the series Physionomies des Bals Publics (Physiognomies of Public Balls), published in Le Charivari
after 1841
go to Dieu de Dieu! (Good God!), from the series Tribulations de la Garde Nationale, No. 7 (Tribulations of the National Guard, No. 7), published in Le Charivari page
Dieu de Dieu! (Good God!), from the series Tribulations de la Garde Nationale, No. 7 (Tribulations of the National Guard, No. 7), published in Le Charivari
13 August 1835
go to Promenade à Montmorency. (Stroll at Montmorency.), published in Le Charivari page
Promenade à Montmorency. (Stroll at Montmorency.), published in Le Charivari
25 August 1837
go to Un braconnier surpris au gîte. (A poacher surprised at home.), from the series A La Campagne (In the Countryside), published in Le Charivari page
Un braconnier surpris au gîte. (A poacher surprised at home.), from the series A La Campagne (In the Countryside), published in Le Charivari
1843–66
go to À la Campagne. (In the countryside.), from the series Fariboles (Nonsense), published in Le Charivari page
À la Campagne. (In the countryside.), from the series Fariboles (Nonsense), published in Le Charivari
16 April 1859
go to Thin Lipped Armourer II, from the portfolio Sketches of Auden page
Thin Lipped Armourer II, from the portfolio Sketches of Auden
1974
go to Lullaby Sketches, from the portfolio Sketches of Auden page
Lullaby Sketches, from the portfolio Sketches of Auden
1974
go to Untitled (Wash Forms), from A Suite of Ten Lithographs page